Creo que los paneles de las nuevas hornadas ya no traen esos controles, lástima
. Aún así yo no sé si toquetearía nada teniendo ya un buen nivel de negro. Pero es que las LG es en donde más flaquean. Lo malo es que cada día aparecen más métodos y más potenciómetros para mover :S. Ahora también están hablando de una web alemana dónde explican otro método.
Yo creo que no me voy a rayar demasiado y voy a tirar por un híbrido del método que usó havro en el post 268:
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My experience with the various adjustments (and in the order I did them, following the factory LG sequence from the manual) is as follows:
VS: Counterclockwise results in some noise in lighter pixels and lowers MLL, turning clockwise corrects the pixel noise and raises MLL but too far clockwise, and my set just shuts off and will not restart. In the end, I only adjusted this pot a hair clockwise to get rid of the white pixel noise.
VA: Clockwise lowers MLL.Did not cause any misfires for me so mine is cranked fully clockwise.
VSC: Made no appreciable difference one way or the other to anything so mine is left at centre position.
Vy: Turning clockwise results in higher MLL, counterclockwise results in lower MLL. Does not appear to introduce any artifacts or noise so mine is cranked counterclockwise.
Set_Up: Clockwise lowers MLL. I've read that turning this fully clockwise can cause some pixel misfires, however this does not appear to be the case with my set, so mine is fully cranked.
Set_Down: Clockwise lowers MLL, however fully clockwise for me also introduces may pixel errors, pixels not resetting after changing colour, so I had to back mine off a bit from fully cranked clockwise until these disappeared.
VZB: Appears to affect the 'dullness' of the overall image, minimal effect on MLL that I can tell. Clockwise seems to give the picture more 'pop', while counterclockwise gives a more washed out image. Mine is cranked fully clockwise.
y el método propuesto por Turrican4D
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Even on my own PK350 I tried very different approaches. One method included Va full clockwise and the one I am using at this moment is the opposite-> Va full counterclockwise.
Each method has consequences for the other pots. If I set Va full clockwise, I cannot go so far with Set_Dn and I can't use Vs-Boost.
If I set Va full counterclockwise, I have more headroom for Set_Dn but a little less headroom for Set_Up but I can boost Vs a little bit, to make up for that, so that I have again the headroom for turning Set_Up more clockwise.
Generally are Set_Up, Set_Dn and Vy the only three of the seven pots, which have a direct influence on the black level.
Also generally there are three pots, which can cause vertical noise patterns-> Vs, Set_Dn and Vy.
One could say with Va full clockwise the danger of getting pixelmissfires out of a black screen to a bright screen (Disney Castle on Disney BDs for example) is not so high as it is with Va counterclockwise, but with counterclockwise the chance of getting missfires during an actual moviescene is lower.
If one decide to better just get some little pixelmissfires sometimes for getting even more out of his panel mll wise, he could experiment mit the pot VSC, cause with VSC at the right sweet spot, the ability of your panel to erase false fired pixels can be sped up.
VZB also has a sweet spot, that you can find the best with halflit secenes leike the one in "The American" ight at the sturt, when Clooney lies there with his soon to be dead girlfriend-> You turn VZB full counterclockwise: The picture will have lost its depth. Now you move slowly(!) micrometer for micrometer clockwise just to the point, where this moviescene jumps back to depth and contrast.
Y a ver qué sale de ahí, espero no tener que hacer uso de la garantía el lunes ! 
Saludos.